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The first linens on the table: how details changed the way we eat

Origin and evolution of the tablecloth and the napkin

White linen has become an indispensable material in both our projects and the decoration of our tables. We favour white due to its ability to adapt to any setting, its brightness, and the sense of purity it conveys. It acts as an elegant canvas that highlights the beauty of every element placed upon it, enhancing both the crockery and the accessories.


From Tablecloth to Napkin

The first tablecloths date back to Roman times and, interestingly, were also made of white linen. Back then, diners would sit aligned, sharing the tablecloth to clean their hands and mouths, which could be considered a precursor to the modern napkin.

 
«The Last Supper» by Dietric Bouts, 1464-1468. Part of a triptych in Saint Peter's Church.

 

The napkin has evolved and taken on various forms and functions over time, linked to culture, etiquette, and innovation in different civilisations. There are stories and legends attributing its creation to various historical figures, leading to an interesting debate about its true origin.

 

It is said that during the Middle Ages, in taverns, it was common to hang a cloth on the walls for customers to clean their hands while eating. However, it was after the French Revolution that Duke Jaques de Serviliet, upon opening his restaurant, introduced an innovation in table setting: each diner received their cutlery wrapped in a cloth, which not only protected the utensils but also served to wipe their hands during the meal. This marked a significant change in etiquette and the way formal dining spaces were organised.

 

Another theory regarding the origin of the napkin is linked to the Renaissance genius Leonardo da Vinci. During his time as master of ceremonies and banquet organiser at the court of Ludovico Sforza, it is said that guests had rabbits tied to their chairs, which they used to clean their greasy fingers. Da Vinci, seeking a more elegant solution, proposed that each guest receive a personal cloth to clean their hands and knives. He wrote, "I have devised that each diner should have their own cloth, which, once soiled, can be folded to avoid dirtying the table and maintain the decorum of the dinner." However, his contemporaries did not appreciate the brilliance of this idea at the time, and its use did not become popular until much later.

 

Portrait of Leonardo da Vinci.

 

 

The Napkin: Etiquette and Refinement 

A lesser-known curiosity is that during the Renaissance, napkins embroidered with family emblems or the initials of the host became a symbol of prestige among European nobility. Wealthy families competed to showcase the most elaborate and decorative napkins at banquets, not just as a practical item but also as a way to demonstrate power and wealth. This added detail to the refinement of tables helped consolidate the use of the napkin in formal settings. 

Moreover, during the reign of Louis XIV of France in the 17th century, the monarch imposed strict rules of etiquette at the court of Versailles, one of which was the proper use of the napkin. At royal banquets, each guest was expected to place a large linen napkin on their lap during the meal. This protocol contributed to the dissemination of the napkin as an integral part of table service, establishing it as a symbol of refinement and elegance.

 

«Les buveurs de vin», Jacques Autreau, 1730.

 

 

We share the care of the table and the importance of details. Every small effort, from the tablecloth to the napkin, enhances not only the aesthetics but also the experience surrounding the meal, creating more meaningful and enjoyable moments for all present.

«Gentlemen having supper», George Du Maurier (1834-1896)

«Molière at the table of Louis XIV», 1857 by Jean Auguste Dominique (1780-1867). Found in the Collection de la Comédie Française, Paris.

Origen del lavavajillas

Origin of the dishwasher

"If no one else is going to invent a dishwashing machine, I'll do it myself"

The dishwasher, which today seems indispensable in any kitchen, is a relatively recent invention. Its origins date back to 1886, when Josephine Cochrane, an American woman, tired of her dishes being damaged when washed by hand, decided that ‘if no one else was going to invent a dishwashing machine, she would do it herself’.The first dishwasher consisted of a copper kettle with a wheel with compartments to put the dishes inside. The wheel rotated while the soapy water came out under pressure, washing all the pieces. This first prototype could wash and dry up to 200 dishes in two minutes.Her invention was presented at the Chicago World's Fair in 1893 and the first to include them in their kitchens were hotels and restaurants. Her machines were sold to prestigious hotels such as the Palmer House Hotel in Chicago.Josephine patented her ‘dish washing machine’ and founded her own company, the Garis-Cochran Dish-Washing Machine Company, which later became KitchenAid (owned by Whirlpool). Motivated by the desire to popularise her creation, she also developed a model adapted for domestic use just before her death in 1913. For decades, however, the dishwasher remained a professional product. It was not until the middle of the 20th century that, thanks to the increasing electrification of homes and the search for greater efficiency in domestic chores, its use spread to households.This development marked the beginning of a new era in kitchen design and in the evolution of household appliances as tools for optimising everyday life. We share the pursuit of what you believe in. The importance of taking the time to identify needs and solving them. The way to improve people's lives.  

Tiramisù

Tiramisù

A modern story with classic flavour

Tiramisù is the fifth most well-known word from Italian cuisine abroad, and the first when it comes to desserts. The name tiramisù, in the Venetian dialect, means “tirami sù”—literally “pick me up”—referring to its energizing effect, both due to the coffee and because it is considered a light dessert. The most documented version places the origin of tiramisù in the city of Treviso, in the Veneto region. It is said that during the 1960s, at the well-known restaurant Le Beccherie, chef Roberto Linguanotto and pastry chef Ada Campeol—the owner’s wife— invented this dessert. Tiramisù is based on sbatudin, a traditional preparation made from beaten egg yolk and sugar, typically given to children or newborns as a nutritious food, and incorporates mascarpone, savoiardi biscuits, coffee, and cocoa. Other accounts trace its origin back to around 1959, in a handwritten tiramisù recipe by Norma Pielli, the longtime cook at a hotel in the town of Tolmezzo, in Friuli-Venezia Giulia. For locals, the fetta di mascarpone (slice of mascarpone) was served to hungry hikers and climbers in this mountainous area. Although its true origin remains uncertain, tiramisù was traditionally a family dessert, served on special occasions in Italian homes. It was only from the 1980s onwards that it began to be commercialized, appearing on restaurant menus both in Italy and abroad. Its presence in international cookbooks increased interest in tiramisù, leading to many adapted versions—but the balance of the original—biscuits lightly soaked in coffee, mascarpone cream, and a dusting of cocoa—remains hard to improve upon. We’ve shared our family tiramisù recipe in the Recipes section.

Orfèvrerie Ercuis

Orfèvrerie Ercuis

Tradition and craftsmanship since 1867

The origins of Ercuis goldsmith's house date back to 1867, when Father Adrien Céleste Pillon, a parish priest in the village of Ercuis, 50km from Paris, founded a religious goldsmith business to make silver- and gold-plated pieces.To finance the business, Pillon set up a local newspaper, which he also used as a means of advertising his creations. However, the business was soon taken over by Léon Durand, the former production manager of the Clichy glassworks, who redirected it towards the art of the table. In 1880, they opened their first shop in Paris.In 1886, Ercuis goldsmiths signed an agreement with the producer George Maës, adopting his ‘poinçon carré’, the official contrast in France for silver-plated metal, represented by a centaur, which has become the symbol of the firm to this day. The Maës family spearheaded the growth and expansion of the house for three generations.Throughout the 20th century, the house gained prestige and recognition, participating in various Universal Exhibitions, equipping the great hotels of the Côte d'Azur, the Côte Basque and Paris such as the Pavillon Henri IV, and receiving important commissions such as the silver-plated pieces for the ocean liner ‘Le France’ or for the Orient Express.From 1980s onwards, the company became a public limited company and changed hands several times. Today, the brand is owned by the Italian group Sambonet. Ercuis hallmarksThe Ercuis pieces bear at least two hallmarks: the goldsmith's mark and the quality hallmark. - The goldsmith's mark is represented by the inscription ‘ERCUIS’.- The hallmark may be represented by the ‘poinçon carré’, the official French contrast for ‘metal argenté’, or by indicating the percentage of silver with each number in a square. The Ercuis ‘poinçon carré’ includes a centaur with the initials ‘OE’ identifying the house, and the indication of quality in Roman numerals: I or II, depending on the microns of silver in the piece. The high quality of the silver plating applied to their pieces makes them of superior value on the antique market.

Antigua Roma, Felipe V y el roscón de Reyes

Ancient Rome, Felipe V and the Roscón de Reyes

Origin of the Spanish Christmas sweet of Epiphany

Roscón de Reyes is a Spanish gastronomic tradition of this period of the year. It is common practice in all homes to eat Roscón on 6 January, the day on which the adoration of Jesus by the Three Wise Men is celebrated.  The origin of this tradition dates back to the Roman Saturnalia, festivities which were celebrated in Ancient Rome in honour of Saturn, God of agriculture, on the occasion of the onset of the winter solstice, which brought longer days and the end of the winter sowing season, which allowed slaves to rest for a few days. A public banquet was held and Roman citizens exchanged gifts.  Each year, a round cake was made with figs, dates and honey in which was hidden a fava bean, a symbol of prosperity, which gave the title of «King of Kings» to the slave who was given it, allowing him to be free during the Saturnalia.  In the 4th century, when Christianity became the official religion of the Empire, these festivals were gradually replaced by Christian celebrations. The tradition became less important except in France, where the Roi de Fave (King of the Bean) was celebrated. To celebrate Epiphany, each village gave a sweet bun to the poorest children and whoever found the bean received gifts and privileges. In the 18th century, Louis XV included a gold coin which meant that no one wanted the bean, and finding it was no longer a prize. It was Philip V who introduced this tradition in Spain, maintaining the duality between reward and punishment. Later the coin was replaced by a figurine and the person who found the bean had to pay for the roscón. We share the value of the tradition. The beauty of the customs makes us enjoy our time around the table.